Dying in the City of the Blues:
Sickle Cell Anemia and the Politics of Race and Health
By Keith Wailoo
University of North Carolina Press,
325 pp., $34.95 ($16.95, paper)
For every era, there are characteristic diseases that attract
public attention, and in every disease there are particular features that gain
cultural currency and achieve high levels of popular visibility because they
embody social concerns, cultural anxieties, and political realities.”
Obvious case in point: AIDS in the ’80s. Earlier case in point
and of vital concern to African Americans: sickle cell anemia in the ’70s. But
as Keith Wailoo (author of the above quote) explains in his important new
study, Dying in the City of the Blues, sickle cell’s nationwide
visibility beginning some 30 years ago had a visibility some 70 years ago on
the streets of Memphis and on one street in particular: Beale.
When Lizzie Douglas (aka Memphis Minnie) sang “Memphis
Minnie-jitis Blues,” was she singing not of meningitis but of sickle
cell’s symptoms? And “the blues” itself — the “low down
shakin’ chill” of Robert Johnson’s “Crossroads Blues,” a chill
born of a malaria-prone river valley, transferred to a city itself a
geographic, commercial, and cultural crossroads — was it not an emblem of one
of sickle cell’s target populations and that “invisible”
population’s predicament: Delta blacks and their quite real but
“invisible” pain?
Wailoo, an award-winning professor of social medicine and history
at the University of North Carolina, doesn’t overdo the possible link with the
blues, but he does establish the undeniable links between sickle cell anemia
and three issues of key meaning to modern Memphis history: “scientific
medicine in friction with race relations and health care politics.” All
three in local terms were to become by the ’70s, in national terms, what
Wailoo calls “a complex cultural negotiation” between what science
shows, society dictates, and leaders legislate. Read what you will into that
academic buzzword “negotiation”; Wailoo’s demonstration of disease
as “commodity,” as “politics,” and as
“narrative” are his book’s triple features. General readers need not
beware; Memphis readers, read the record:
By the 1920s, in a town H.L. Mencken once described as a
“rural-minded city” (and Wailoo adds, “arguably still
is”), Memphis was receiving a steady influx of rural blacks at a time
when the paternalistic “plantation complex” of the South was in its
last stages. And by 1926, the local VA hospital was reporting its first case
of sickle cell anemia, a disease in some African languages referred to as a
“state of suffering” and, in the VA report, a disease diagnosed
independent of the more common conclusion, malaria. Three years later, Dr.
Lemuel W. Diggs, with a “distinctly new, laboratory perception of
disease” taught to him at Johns Hopkins, was brought to UT-Memphis. The
medical school as a teaching institution was suffering; Memphis blacks, many
of them indigent and many of them complaining of repeated infections, joint
and abdominal pains, and general lethargy, were suffering too — from Jim Crow
and the substandard health care that went with it. The opening of the city’s
General Hospital and UT’s affiliation with that hospital helped answer the
needs of both: The school got a concentrated pool of patients; African
Americans got at least a semblance of professional care to compare
(unfavorably) with that of whites.